Starfield CreatorCo In-Person Meetings at TIFF 2025
[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" text_align="left" css_animation="" box_shadow_on_row="no"][vc_column][vc_column_text] Welcome to TIFF 2025, Starfield CreatorCo is attending the Industry side - doing finance, co-production, and sales of astonishing new content. Five new projects stand out: We present, near fully-financed science fiction. A 10 x 1-hour series SolSys. 10 episodes, scripts and development completed. Briefly: A science fiction saga from a future gone way off-script. The Context: In the post-AI transhumanist sprawl of SolSys, civilizations hum along with suspiciously gleaming smiles. Think equal parts authoritarian nanny-state and all-night rave. Think a blend of military protocol and sensual absurdity. Society isn’t just post-human. It’s post-sanity in a designer jumpsuit. The story: Enter the Shylagh Na Gig, a long-haul freighter captained by the brave, if contrary, Reggie Cornet. Reggie and her crew of AIs, humans, semi-human hybrids all qualify as misfits, but each have their own slashes of brilliance and uniqueness. Enter Major Schull, Reggie’s ex-lover-slash-reality-warping war scientist. He commandeers her ship, a prisoner in tow. Schull has a cryptic directive, and the kind of sociopathic edge that those with just the right emotional damage find irresistible. The prisoner? Sister Nine, a sin-eating war criminal blessed with weapons-grade theology. She’s due to stand trial on Saturn’s moon Rhea. But in SolSys, nothing unfolds as due. Sabotage hits the ship from within: first by interference planted in the ship’s nav-sys, then by genetically altered insects and suddenly, no one’s en-route to Saturn anymore. No, we’re plunging towards a cloaked black hole at the edge of the Oort Cloud – and that’s when things start to get weird. Sister Nine escapes her hold via quantum mischief, fluctuating out of her cell. She cracks open portals to alt-universes, commits atrocities in the name of divine purpose, and leaves reality looking like a glitchy art installation. Schull? He’s got a competing endgame in mind, showing along the way how...
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